玻璃少女

迷幻少(shǎo )女(nǚ )遇著過氣公安(ān )(🐽)老頭，未必是貓(māo )捉(🌰)老鼠累鬥(dòu )累，也(yě )可(🕰)以是從老前輩身上(shàng )學會認識自(zì )己。阿 P 為(😧)追(zhuī )阿初欠她(tā )的債(🎏)，偶然與(♑)阿初(chū )的(🚤)外公(⚫)相(🐿)遇，兩個生活態度(dù )南轅北轍的人，就是這樣(🏐)在荒謬的(🛺)處(chù )(📞)境中相互學習。阿P在當中看(kàn )見年青一代的無(wú )奈：十六(liù )歲的(🧚)迷(🚣)途青春、愛情(qíng )的無(😞)助、軟(❔)性毒品(pǐn )的蠶食、面對父(🗞)母(🙂)失敗的婚姻、自己渾(🌞)噩的前途....阿初無故(gù )(⛏)失蹤，又是(🔔)否(fǒu )因抵受(⛳)不了同樣殘酷(kù )的(de )青(qīng )春？世情像玻璃(⚾)，有(🌮)時(shí )看得透(🈁)，有時不，相(🥊)同的只(zhī )是：兩者(zhě )同樣(🈸)冰冷易(🐛)碎(🌹)。　　The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth.　　Source 25th HKIFF (2001)……